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By Elizabeth Wagmeister and Gene Maddaus Billie Eilish to Perform at the Oscars By Staff Facebook Revenue Climbs 25% in Q4 to $21 Billion By Todd Spangler Blake Lively ‘The Rhythm Section’: Film Review By Peter Debruge Top Stories Rudolph, Lyonne Partner on Amazon Series time-clock Created with Sketch. 12:01PM PST Wes Anderson’s New Film Gets Release Date time-clock Created with Sketch. 11:26AM PST ‘Arrow’ Signs Off to Low TV Ratings time-clock Created with Sketch. 8:32AM PST MoviePass Parent Files for Bankruptcy time-clock Created with Sketch. 8:30AM PST Watch ‘SpongeBob’ Super Bowl TV Spot time-clock Created with Sketch. 6:05AM PST Get the Magazine The most trusted provider of news and information to the entertainment industry. Subscribe Today Trending Kobe Bryant Grammys Sundance Film Festival Harvey Weinstein ‘Bad Boys for Life’ Inside Film ‘Birds of Prey’ Director Cathy Yan on the Advice Patty Jenkins Gave Her Biz Kobe Bryant’s Best Days Were Still Ahead of Him (Column) Music Taylor Swift: No Longer ‘Polite at All Costs’ (COVER STORY) Music Lil Nas X’s Wild Ride From Obscurity to Grammy Nominee Film Sundance 2020: Will the Market Be Colder After Last Year’s Spree? Film Why ‘1917’ Might Be the Last Film That Should Win the Oscar (Column) Film ‘No Time to Die’: A Rare Interview With the Keepers of James Bond TV Rough Morning: How TV’s A.M. 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Submit a Tip Reviews Film TV Legit Music ‘The Rhythm Section’ The plot may be boilerplate in this revenge thriller, but Blake Lively sells it, playing an assassin who fights like a real person: badly. ‘The Assistant’ Dealing with aspects of #MeToo and the Weinstein scandal, the film imagines a day in the life of a production company assistant. ‘The Gentlemen’ Guy Ritchie returns to British gangster terrain for the first time since 2008, but an all-star ensemble can’t enliven his stale material. ‘Bad Boys for Life’ Will Smith and Martin Lawrence bring the third “Bad Boys” caper a middle-aged edge that grounds the extravagance. ‘Star Trek: Picard’ The series seems, at first, tentative. But it moves within three hours to a place that promises excitement and movement. ‘Little America’ The new anthology series from Kumail Nanjiani, Emily V. Gordon and Lee Eisenberg tells eight thoughtful, bittersweet stories. ‘Avenue 5’ Armando Iannucci’s new space comedy, also starring Josh Gad and Zach Woods, is fun, but slight. ‘Messiah’ The new Netflix drama, from Mark Burnett and Roma Downey, gets in far over its head probing matters of faith. ‘Tina’ This hit London musical about Tina Turner, starring Adrienne Warren, takes Broadway by storm. ‘Little Shop of Horrors’ The musical by Howard Ashman and Alan Menken gets a starry, but small-scale Off Broadway revival starring Jonathan Groff. ‘The Great Society’ Brian Cox (“Succession”) takes over from Bryan Cranston in Robert Schenkkan’s follow-up play to his Tony-winning “All the Way.” ‘Almost Famous’ “Almost Famous” fans get their backstage pass renewed via a stage musical adaptation in San Diego that feels familiar and refreshing. Album Review: Selena Gomez’s ‘Rare’ Selena Gomez’s “Rare” is one of the best pop albums in recent memory, opening up a whole new lane for the 27-year-old singer. Album Review: Coldplay’s ‘Everyday Life’ Coldplay’s new double album “Everyday Life” revels in experimentation, but falls short of its effort to be deep. Album Review: Beck’s ‘Hyperspace’ The Pharrell Williams-produced “Hyperspace” is the best thing Beck has done since “Morning Phase.” Album Review: Celine Dion’s ‘Courage’ For her first album since her husband’s death, Dion goes straight for the heart in some songs, but slums in EDM in others. 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